The American Queen Adventure Day 2


Tuesday was surprisingly fun. Cape Girardeau is a pretty little town and it is chock full of antique and vintage stores. It was almost eery how every single store on Main Street was military antiques, flea markets, china shops, doll shops, where did all of this oldness come from?

We did discover a truly Southern stop- The Paula Deen ‘Living’ store. Apparently she has an entire furniture collection, much of it was pretty nice too. One piece we all fell in love with that was not part of the Deen Dream Home Collection was a wicker and metal pagoda chandelier with little China men sitting around it and gazing down to the floor. Kind of fab for the Charleston house! We are working with them on shipping to see if it happens. 



We then came back to the boat for lunch in the dining room and then a little down time to catch up on work and rest. At 5:15 it dinner time! Our waitress requires much investigation.  Dorothy is from Charleston and very pretty and quiet but when she speaks she always has a snappy comment that sends me into fits.



When Rod walked in wearing a loden green hat with peacock feather adornment she just whispered, “Ooooh I love that hat. It’s real nasty!” Later when she was taking our order I asked what the catch of the day was. “It’s catfish. But I bet you don’t eat catfish. You are too classy for catfish aren’t ya?” I got a wink and a smile out of that one. I bet she has a one woman show in some church basement that would bring me the greatest joy.


                                          (Cocktails with the Captain, Bobby and Ms. Jackie)


We dined then headed to the lounge to hear the resident singer, Leah belt some tunes out. One of our new friends from the ship, Larry Cox Jr. who is part of the show cast onboard, sang a tune or two, one dedicated to Dotty, “Somewhere Over the Rainbow”.  It was very sweet.

(Larry Cox Jr. crooning)

Then we waddled down the hall to the main stage to hear Peter Mintun. He is a pianist from New York and a friend with the Governors Island flapper crew. Heidi from the Frick connected us and we had a lovely chat before he went on. He didn’t play anything past 1928 and every song had to do with New York. Very entertaining and charming.

(Mr. Peter Mintun!)

For the last act we headed to the infamous Engine Room to hear Ms. Jackie and Bobby bust it out for their 50s and 60s night. They tore it up and my little lady from the night before dragged my hung over ass back to the dance floor to twist through two songs. 

By the wee hour of 10:15pm I had to call it a night. Mama and I dragged back to the room where we both passed out by 11. Vacation brain is settling in!

PS- I am still not quite sure what happened on the first night but I keep getting people coming up to me asking when I am on again...


Marie Antoinette's Turkish Treasures at The Frick

On a balmy Tuesday afternoon, Lesley Blume and I swaggered over to The Frick to have a private tour of the newest exhibit, Turkish Taste at the Court of Marie-Antoinette.
Exoticism and my favorite Queen all in one exhibit? S’il vous plait!

We met our favorite flapper Heidi Rosenau in the vestibule of the museum (wearing a very nautical 1930’s look) and she escorted us to the tiny room where the treasures are being shown. At first I was disappointed that it wasn’t a full floor of objects but once we began discussing each of the six objects my head was already swimming in a Turkish bath of beauty.

Heidi gave us the rundown of each piece and later, my new neighbor Charlotte Vignon, who is Associate Curator of Decorative Arts at The Frick provided much of the background of the curious and short-lived trend.

France had a love affair with anything exotic and when in 1721 Mehmed Efendi visited Louis XV the royal court was sent into an Arab frenzy. But it was when Marie Antoinette became Queen in 1774 that the trend really took off.

Boudoirs Turcs became all the rage with royals and were always small, personal rooms for close friends (opposed to state rooms), which were mirrored and full of the highest quality furniture and objects. Although the Queen had one created at Versailles and Fontainebleau, the one at the latter is the only one still in existence. It is not open to the public because of it’s size and location but Charlotte being who she is got access and showed us pictures of this amazing little chamber which I hope one day will be open to the plebes like me!

Sadly, the Turkish trend fizzled when Marie Antoinette and the Ancien Regime were carted off to the guillotine. But lucky for us there are a few pieces that survived that can transport us back to those decadent, debaucherous days.

Below are images from the show and my notes on each. Hop on your magic carpet and check out this magical little nook of delicious, dreamy works of art. On view till September 11th.

Pair of Firedogs with a Seated Dromedary
from Marie-Antoinette’s Turkish boudoir at the Château de Fontainebleau, 1777


These dandified dromedaries were all the rage in the Queens court.
Crafted by good ole Pierre Gouthière, the greatest bronze-maker, chaser, and gilder of his time I can only imagine a little fire roaring behind them as M.A. giggled over court gossip. I wasn’t really aware there are camels in Turkey but on further investigation they do indeed reside there and they are known for their wrestling!



Attributed to Jean-Siméon Rousseau de la Rottière (1747–1820) and Jules-Hugues Rousseau (1743–1806)
Pair of Panels from the comte d’Artois’s Turkish Room at Versailles, 1781


In truth I can’t give M.A. all the credit for the Turkish delights. The comte d’Artois, Louis the XVI younger brother actually started the trend around the same time and created his own room in Versailles. These panels come from that room which he used as a library. There are six in existence and the rest are in Paris. The cherubs in turbans give me the major creeps but Lesley and I both gasped at the beauty and the sensuality of the interlocking mermaids on the bottom of the panels.

Pair of Small Console Tables, c. 1780 Gilded and painted beech and walnut with marble tabletop


Although the early history of these tables is unknown their exceptional quality suggest they were once in royal hands. These are the inspiration for the exhibit since they are in the Frick collection.
From mermaids to Blackamoor mermen, Lesley and I nearly had to go outside for some fresh air we got so excited. The crossed crescents at the tops of the tables also evoke the Turkish trend.
Charlotte explained that the Blackamoors and central garlands are all carved out of one solid piece of wood. Impressive. The tables are displayed one at eye level and one, as it would stand on the floor. Charlotte told us they did that so we could see the detail of the tables up close but also when you look down at the lower table one of the mermen is staring directly back at you. We went gaga over his silver earrings and his turban, which was originally gilded in platinum.

To make these tables even more divine, Mr. Frick bought them on suggestion from the legendary Elsie de Wolfe. Cant you imagine her saying, “Henwy those Toikish toibles with toibins are a must!”